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DUSTY ROADS, Inez Froehlich

€0.00

‘‘My work focuses on abstract and mostly textured compositions of colors and shapes. For this, I use acrylic paints, various structure pastes, stone flour, chalk, ink and other artistic materials.
Both strong and subtle colors and surface structures inspire me. I can oscillate between opulent and minimalistic motifs. The imperfect, the moment and the ephemeral, these are all things I try to capture on canvas.
My work is an intuitive process. The result of my work is open, even during the work the goal can still change.’’

Year: 2026

Medium : Acrylic on Canvas

Dimensions : 59.1x39.4 in | 150×100 cm

Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.

‘‘My work focuses on abstract and mostly textured compositions of colors and shapes. For this, I use acrylic paints, various structure pastes, stone flour, chalk, ink and other artistic materials.
Both strong and subtle colors and surface structures inspire me. I can oscillate between opulent and minimalistic motifs. The imperfect, the moment and the ephemeral, these are all things I try to capture on canvas.
My work is an intuitive process. The result of my work is open, even during the work the goal can still change.’’

Year: 2026

Medium : Acrylic on Canvas

Dimensions : 59.1x39.4 in | 150×100 cm

Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.

Inez Froehlich was born in Reichenbach / Vogtland and grew up in a family with an affinity for art, which laid the foundations for her later work at an early age.
She began her artistic career in 2003 after completing her studies at Chemnitz University of Technology and initially working in the private sector. While painting and photography counterbalanced her more technically oriented professional career during these years, she took the plunge into free artistic life in 2003 and ambitiously swapped her desk for an easel.
Regional and later also international exhibitions and the intensive exchange of experiences with other artists gave her the necessary orientation and, between praise and criticism, gave her enough space to try out different styles, learn how to handle a wide variety of materials and painting techniques and to define her own unmistakable style from this wealth of experience.