ROI DE BRUMES, Eric Rugers, 2025

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A figure emerges, reminiscent of a fable - neither human nor symbol, but something in between. It appears briefly, suspended in mist and light, before dissolving again.

Soft layers of green and pale light suggest a body without defining it. Form hovers on the edge of recognition, inviting the viewer to linger in uncertainty. As with much of Rugers’ work, the image originates from a painted surface, magnified until form gives way to sensation.

What remains is not an image to understand, but a moment to inhabit. Beyond the visible, toward what is truly felt.

Printed on museum-grade etching paper, whose tactile surface allows pigments to sink into the fibres like paint. The result is a uniquely painterly photographic work - soft, textured, and rich in depth. Available in four sizes.

Medium : Giclée print on Paper , Alu-Dibond

Dimensions : 15.7x11.8 in | 40×30 cm

Edition: 1 / 21

Other details : Framing on request

A figure emerges, reminiscent of a fable - neither human nor symbol, but something in between. It appears briefly, suspended in mist and light, before dissolving again.

Soft layers of green and pale light suggest a body without defining it. Form hovers on the edge of recognition, inviting the viewer to linger in uncertainty. As with much of Rugers’ work, the image originates from a painted surface, magnified until form gives way to sensation.

What remains is not an image to understand, but a moment to inhabit. Beyond the visible, toward what is truly felt.

Printed on museum-grade etching paper, whose tactile surface allows pigments to sink into the fibres like paint. The result is a uniquely painterly photographic work - soft, textured, and rich in depth. Available in four sizes.

Medium : Giclée print on Paper , Alu-Dibond

Dimensions : 15.7x11.8 in | 40×30 cm

Edition: 1 / 21

Other details : Framing on request

Eric Rugers is a hybrid abstract artist working between painting and photography. His images begin in layered painted surfaces, photographed in extreme close-up and translated into tactile giclée prints where colour, light and form shift into presence.

With over thirty years in illustration and design, Rugers brings a sharp sense of composition, rhythm and chromatic balance. In 2024 and 2025, his work entered the MA-g Museum collection. Curator Andréa Da Palma (Galerie Perrotin) noted his “striking command of saturation and luminous tonal shifts.”

Working within Perceptualism, he creates images that resist narration and invite sustained looking.

Influenced by Matisse, Rothko, Turner and the Japanese aesthetics of yūgen and ma, his work rewards slow looking, reveals new nuances over time, and sustains attention beyond the first glance.

Beyond the visible, toward what is truly felt.